Nino Rota's melodies are just as enchanting on the cinema screen as they are on the opera stage.
Farsa musicale in four acts.
Libretto by Nino Rota and Ernesta Rota after the Vaudeville Un chapeau de paille d'Italie by Eugène Labiche and Marc Antoine Amédée Michel
Performed in Italian with German and English surtitles
Premiere
31. May 2026
Dates & Cast
- Conductor Daniele Squeo
- Staging Bernd Mottl
- Set Design & Lighting Design Friedrich Eggert
- Costume Design Alfred Mayerhofer
- Choreinstudierung Jonathan Becker
- Dramaturgy Marlene Hahn, Dorothee Harpain
- Fadinard Piotr Buszewski
- Nonancourt Alexander Grassauer
- Baronin de Champigny Maire Therese Carmack
- Elena Rosalia Cid
- Beaupertuis Neven Crnić
- Anaide Valerie Eickhoff
- Emilio Danylo Matviienko
- Onkel Vézinet Aaron Pegram
- Eine Modistin Dalia Medovnikov
- Ein Korporal Martin-Jan Nijhof
- Felice Jongwoo Hong
- Achille di Rosalba Gerald Hupach
- Conductor Daniele Squeo
- Staging Bernd Mottl
- Set Design & Lighting Design Friedrich Eggert
- Costume Design Alfred Mayerhofer
- Choreinstudierung Jonathan Becker
- Dramaturgy Marlene Hahn, Dorothee Harpain
Project Partners:
Sparkassen-Finanzgruppe Sachsen
Ostsächsische Sparkasse Dresden
Sparkassen-Versicherung Sachsen
LBBW
In cooperation with Oper Graz
- Fadinard Piotr Buszewski
- Nonancourt Alexander Grassauer
- Baronin de Champigny Maire Therese Carmack
- Elena Rosalia Cid
- Beaupertuis Neven Crnić
- Anaide Valerie Eickhoff
- Emilio Danylo Matviienko
- Onkel Vézinet Aaron Pegram
- Eine Modistin Dalia Medovnikov
- Ein Korporal Martin-Jan Nijhof
- Felice Jongwoo Hong
- Achille di Rosalba Gerald Hupach
- Conductor Daniele Squeo
- Staging Bernd Mottl
- Set Design & Lighting Design Friedrich Eggert
- Costume Design Alfred Mayerhofer
- Choreinstudierung Jonathan Becker
- Dramaturgy Marlene Hahn, Dorothee Harpain
Project Partners:
Sparkassen-Finanzgruppe Sachsen
Ostsächsische Sparkasse Dresden
Sparkassen-Versicherung Sachsen
LBBW
In cooperation with Oper Graz
- Fadinard Piotr Buszewski
- Nonancourt Alexander Grassauer
- Baronin de Champigny Maire Therese Carmack
- Elena Rosalia Cid
- Beaupertuis Neven Crnić
- Anaide Valerie Eickhoff
- Emilio Danylo Matviienko
- Onkel Vézinet Aaron Pegram
- Eine Modistin Dalia Medovnikov
- Ein Korporal Martin-Jan Nijhof
- Felice Jongwoo Hong
- Achille di Rosalba Gerald Hupach
- Conductor Daniele Squeo
- Staging Bernd Mottl
- Set Design & Lighting Design Friedrich Eggert
- Costume Design Alfred Mayerhofer
- Choreinstudierung Jonathan Becker
- Dramaturgy Marlene Hahn, Dorothee Harpain
Project Partners:
Sparkassen-Finanzgruppe Sachsen
Ostsächsische Sparkasse Dresden
Sparkassen-Versicherung Sachsen
LBBW
In cooperation with Oper Graz
- Fadinard Piotr Buszewski
- Nonancourt Alexander Grassauer
- Baronin de Champigny Maire Therese Carmack
- Elena Rosalia Cid
- Beaupertuis Neven Crnić
- Anaide Valerie Eickhoff
- Emilio Danylo Matviienko
- Onkel Vézinet Aaron Pegram
- Eine Modistin Dalia Medovnikov
- Ein Korporal Martin-Jan Nijhof
- Felice Jongwoo Hong
- Achille di Rosalba Gerald Hupach
- Conductor Daniele Squeo
- Staging Bernd Mottl
- Set Design & Lighting Design Friedrich Eggert
- Costume Design Alfred Mayerhofer
- Choreinstudierung Jonathan Becker
- Dramaturgy Marlene Hahn, Dorothee Harpain
Project Partners:
Sparkassen-Finanzgruppe Sachsen
Ostsächsische Sparkasse Dresden
Sparkassen-Versicherung Sachsen
LBBW
In cooperation with Oper Graz
- Fadinard Piotr Buszewski
- Nonancourt Alexander Grassauer
- Baronin de Champigny Maire Therese Carmack
- Elena Rosalia Cid
- Beaupertuis Neven Crnić
- Anaide Valerie Eickhoff
- Emilio Danylo Matviienko
- Onkel Vézinet Aaron Pegram
- Eine Modistin Dalia Medovnikov
- Ein Korporal Martin-Jan Nijhof
- Felice Jongwoo Hong
- Achille di Rosalba Gerald Hupach
- Conductor Daniele Squeo
- Staging Bernd Mottl
- Set Design & Lighting Design Friedrich Eggert
- Costume Design Alfred Mayerhofer
- Choreinstudierung Jonathan Becker
- Dramaturgy Marlene Hahn, Dorothee Harpain
Project Partners:
Sparkassen-Finanzgruppe Sachsen
Ostsächsische Sparkasse Dresden
Sparkassen-Versicherung Sachsen
LBBW
In cooperation with Oper Graz
- Fadinard Piotr Buszewski
- Nonancourt Alexander Grassauer
- Baronin de Champigny Maire Therese Carmack
- Elena Rosalia Cid
- Beaupertuis Neven Crnić
- Anaide Valerie Eickhoff
- Emilio Danylo Matviienko
- Onkel Vézinet Aaron Pegram
- Eine Modistin Dalia Medovnikov
- Ein Korporal Martin-Jan Nijhof
- Felice Jongwoo Hong
- Achille di Rosalba Gerald Hupach
- Conductor Daniele Squeo
- Staging Bernd Mottl
- Set Design & Lighting Design Friedrich Eggert
- Costume Design Alfred Mayerhofer
- Choreinstudierung Jonathan Becker
- Dramaturgy Marlene Hahn, Dorothee Harpain
Project Partners:
Sparkassen-Finanzgruppe Sachsen
Ostsächsische Sparkasse Dresden
Sparkassen-Versicherung Sachsen
LBBW
In cooperation with Oper Graz
- Fadinard Piotr Buszewski
- Nonancourt Alexander Grassauer
- Baronin de Champigny Maire Therese Carmack
- Elena Rosalia Cid
- Beaupertuis Neven Crnić
- Anaide Valerie Eickhoff
- Emilio Danylo Matviienko
- Onkel Vézinet Aaron Pegram
- Eine Modistin Dalia Medovnikov
- Ein Korporal Martin-Jan Nijhof
- Felice Jongwoo Hong
- Achille di Rosalba Gerald Hupach
Related event
In brief
“How am I supposed to do that? I'm going mad!” On Fadinard’s wedding day, his horse eats the straw hat of a lady having a bit of fun with her lover in the bushes. But Anaide doesn’t dare return to her jealous husband Beaupertuis without her new Florentine hat: she simply has to get hold of a new one! An odyssey full of hijinks begins, taking Fadinard across the length and breadth of Paris ...
The memorable and tuneful score by Nino Rota, best known for his film music (La strada, La dolce vita, The Godfather), reflects the hectic pace of the plot. His farsa musicale revives the spirit of opera buffa with a nod towards Rossini. The acclaimed premiere of Bernd Mottl’s production for Graz Opera in May 2023 was called “delicious operatic fun” by the Kurier newspaper. The characters inhabit a landscape of oversized hat boxes. “We deliberately opted for a nostalgic black and white look,” explains Bernd Mottl, “because this focus on patterns and silhouettes allows you to delineate more clearly the differences between the characters.” All in all, an amusing treat!