This enchanting opera by Ravel will fire up the imagination of young and old alike.

Lyrical Fantasy by Maurice Ravel
Libretto by Sidonie-Gabrielle Colette in the translation by Werner Hintze and Bettina Bartz

Performed in German with German and English supertitles

Premiere
16. February 2025

Dates & Cast

16
Sun
February 2025
5 pm
Premiere
12 €
6 Tickets
Starting Time: 5 pm
Venue
Semperoper Dresden
Family Introductions
Free introductory talk for children and families 45 minutes before curtain-up in the opera cellar, duration around 20 minutes
22
Sat
February 2025
11 am
12 €
99+ Tickets
Starting Time: 11 am
Venue
Semperoper Dresden
Reservierung für Schulklassen über tickets-schulen@semperoper.de
Family Introductions
Free introductory talk for children and families 45 minutes before curtain-up in the opera cellar, duration around 20 minutes
23
Sun
February 2025
11 am
12 €
99+ Tickets
Starting Time: 11 am
Venue
Semperoper Dresden
Family Introductions
Free introductory talk for children and families 45 minutes before curtain-up in the opera cellar, duration around 20 minutes
09
Sun
March 2025
2 pm
12 €
2 Tickets
Starting Time: 2 pm
Venue
Semperoper Dresden
Family Introductions
Free introductory talk for children and families 45 minutes before curtain-up in the opera cellar, duration around 20 minutes
09
Sun
March 2025
6 pm
12 €
99+ Tickets
Starting Time: 6 pm
Venue
Semperoper Dresden
Family Introductions
Free introductory talk for children and families 45 minutes before curtain-up in the opera cellar, duration around 20 minutes
19
Wed
March 2025
11 am
12 €
2 Tickets
Starting Time: 11 am
Venue
Semperoper Dresden

In brief

What would a child’s room say if it could talk? A boy goes on the rampage because he doesn’t want to do his homework; his mother, of course, blows her top. When the child vandalises his room and even torments his beloved cat, things take a surprising turn: suddenly, the mistreated furniture, cups, books and animals start to speak! And the child finds himself in a world in which he is forced to think about others.

The one-hour opera doesn’t just tell the story of a child: it is also movingly told from a child’s perspective. This means that anything can happen, as the power of imagination is boundless. And so the story also makes the case for mindfulness and empathy: the child hurts the cat at the beginning of the story, but by the end he is playing doctor to a squirrel.

This acclaimed production by James Bonas and Grégoire Pont takes us on a magical journey, with the music providing the impetus for a fantastic world and the child’s imagination brought to life using exciting and delightful video projections. A love letter to the power of the imagination and the magic of opera! For all those who are (still) children at heart.

Storyline

On a beautiful sunny afternoon, the child is sitting in the living room and is supposed to do the homework. But the child doesn’t want to. Petulant, he insults his mother, who then sadly confines the child to his room. He first takes out his anger on the furniture, the fireplace, the dishes, the books – and then on the squirrel and the cat, who flee into the garden. The child is suddenly confronted with the consequences of his temper tantrum: The room begins to come alive.

The chair and the sofa, the large grandfather clock and the cup and teapot complain about the pain that the child has inflicted on them. The fire in the large fireplace flares up frightfully and threatens to destroy the child and the house; only the ashes manage to control the flames. The child is paralyzed by fear. The shepherds and shepherdesses on the wallpaper complain that their sheep have been harmed as a result of the rampage. The princess comes out of the storybook and the numbers from the math homework assignment also start to sing. Completely overwhelmed and frightened, the child sees the cats and follows them into the garden. Night has fallen, the moon is shining brightly and the frogs and insects give a concert. The dragonfly and the bat are looking for their partners, but the child ruefully confesses that he killed them – the bat children will grow up without a mother. The child is completely overcome by a guilty conscience, but it seems almost too late: the animals and the trees, into whose trunks the child often carved with a knife, join forces and attack him. In the tremendous uproar, the squirrel is injured. The child attends to him and lovingly dresses the wound: he has learned to be compassionate. Moved, the other animals watch him and together call the child’s mother to reconcile the two.